Fifty years ago this week I was at Woodstock, among the “half a million strong” that Joni Mitchell sang about. I arrived in a much-mended 1963 Rambler with my girlfriend Karyl. I was 19 and it was the summer of my sophomore year in college. My brother Roger arrived separately with a bunch of his high school friends on the back of a pick-up truck held together with duct tape and band-aids. Neither of us knew the other was there. Our parents, like many other parents, didn’t learn about our trip until later, and they weren’t all that happy about it. The first news reports portrayed a chaotic, dangerous, and lawless image of the three days. The county had declared a state of emergency and reports were that the National Guard was about to be called in at any moment. Eventually, each of us would take life-changing, year-long adventures on the road—my brother on a motorcycle, me and Karyl in a VW bus. We all were English majors and were, of course, inspired by Jack Kerouac’s On the Road; but for now we had arrived at Woodstock. Even after all these many years, being at Woodstock was inspirational and significant. 

Each fall, many of us in the arts world look forward to hearing the names of the National Medal of Arts recipients for the year. Awarded annually since 1985, this highly anticipated honor seems to have been put on hold beginning in 2016. Similarly, the National Humanities Medal ended a 26-year-long streak with their slate of 2015 honorees, and October’s National Arts & Humanities Month—which expanded from a week-long celebration proclaimed by President Reagan in 1985, to a month-long celebration of the arts and humanities in 1993—has yet to see a presidential proclamation since October 2016. Americans for decades have appreciated nationally recognized awards and a presidential proclamation every year as a show of support and encouragement to unleash creativity and reach for new heights. This year that hope was no different and I have been asked again and again for my thoughts on what has become of these high-profile awards.

As we celebrate both Thanksgiving and National Veterans and Military Families Month this year, we honor the service and sacrifice of America’s more than 18 million veterans across the country. Arts and humanities events and programs remind us of the contributions that veterans and active duty military and their families have made and the power of joining together through the shared experience of art. We recognize the growing number of state and local-level arts and military initiatives that are creating greater access and more opportunities across the country. These programs unite us, bridging the civilian/military divide in a non-partisan way that only the arts can, in communities both large and small. And these efforts aren’t just one-time events; they represent long-term commitments from artists and arts groups to serve those who have served.

2018 was a year of some highs, but many lows. Controversy and anger and fear still seem to swirl around us in large supply, and more often I find myself sitting at my piano, my energy source and antidote for when I am feeling low. I imagine how all of us can better convey the power of the arts as a unifying force—as a solution for our country—during these difficult times. Our need for the arts is apparent. We have needed and sought the healing and teaching power of the arts for a long time. Robert Redford once said, “I’ve long believed we could move toward solving some of our biggest problems if there were an artist at every table.” Woven through the events of this year were artists who are making a tremendous difference in communities across the country, and their diverse voices are animating conversation and giving us hope for a kinder and more compassionate world.

Since 1960, Americans for the Arts has worked to ensure equitable access to a full creative life for all people. While the type and quantity of work may have varied over time, the commitment to equity, diversity, and inclusion has not. In 2015, our Board of Directors encouraged a more specific, strategic, and long-term commitment to cultural equity. As a first step, we spent a year working with board, staff, and membership to develop a new Statement on Cultural Equity. Formally adopted in April 2016, it honed our commitment and goals around cultural equity, articulated our definitions and areas of measurement, and delineated bodies of work for the organization: internal capacity and competency, funds generation to underwrite the work, external education, professional development pipeline transformation, dedicated research, and investments in equity-related public and private sector policy. We pledged, in the statement, to evaluate and report out on our progress and learnings over time. Today, we are happy to share the first of those reports, which covers April 2016 to August 2018. The report is called Mapping Our Progress Toward Cultural Equity, and it is the result of a collective effort from over 60 staff members at Americans for the Arts.

We now know that some of President Trump’s transition team advisors are recommending elimination of federal arts and humanities funding along with many other non-arts related cuts. The arguments are old and tired and fly in the face of some of the very things our new President wants like building new infrastructure, jobs, a stronger economy—all areas where the arts are proven allies. As we wait for more clarity, Americans for the Arts will continue to celebrate those who are making a difference, and work with arts advocates across the country toward goals that could strengthen our country through the arts.