The question of aesthetics in socially engaged art is as fraught and enduring as our varied understandings of what constitutes critical discourse.
In a society so fully enveloped by the market-driven logic of Late Capitalism it is nearly impossible to relate to any work of art in a non-transactional context. We are told we are consumers purchasing experiences at a premium. “Cultural Authorities” tell us we are incapable of assessing the value of “art product” ourselves and so are provided with “reviews” that are little more than consumer advocacy, in newspapers such as the New York Times that are little more than lifestyle guides for the privileged. Read the rest of this entry »