Growing interest in capturing impact of many types of programs has resulted in escalating discourse and developing practice-based theory about the social impacts of the arts. This current focus on understanding what difference we make builds on, and goes beyond Robert Putnam’s theory, which connected the power of arts and culture in creating social capital.
Across the board, researchers are exercising leadership in this area. For example:
- Alan Brown, in An Architecture of Value, has drawn out and interpreted key concepts from the RAND Corporation’s Gifts of the Muse report to advance a framework of public value centered in and building from the arts experience.
- Clayton Lord and Alan Brown, working with theater partners across the country, have devised indicators and scales to measure the intrinsic impact of experiencing theater.
- In the media arts, American University’s Center for Social Media has reviewed state of the art methodologies for the strategic design and evaluation of social issue documentary films in its Designing for Impact.
- Mark Stern and Susan Seifert at the Social Impact of the Arts Project (SIAP) have developed cultural clustering as both a methodology and a concept. The method involves integrating data on cultural assets into a geographic information system to produce a Cultural Asset Index that can be used to identify census block groups with the highest density of these assets. SIAP is developing a Creative Assets Mapping Database as a community and economic development tool.
- The Knight Foundation and Artplace are working to create vibrancy measures for communities, while the National Endowment for the Arts is looking for indicators to assess the impact of Our Town and other grant programs.
Animating Democracy, a program of Americans for the Arts, has been working to bring together these strands of thinking in the Impact section of our website; particularly, when artists are intentional and art is integrated with practices of civic engagement and social activism as catalysts, conveners, forums, and forms for change. Read the rest of this entry »