Alex Sarian

Alex Sarian

Arts education organizations and professionals (otherwise known as teaching artists and consultants) are no strangers to the repercussions of budget cuts, financial meltdowns, and the continued sluggish economic climate.

However, in true “arts ed” fashion, the field is slowly boasting several small success stories that offer a model for sustainability. Many administratively-savvy folks around the country are proving that smaller cultural organizations can still compete with the best of the larger, more visible organizations. In part two of our blog discussion (I’m working with fellow Arts Education Council Member Jessica Wilt) we’ll highlight several.

These success stories can however be few and far between. When will the old ways of doing business be a means to an end?

Some teaching artists and organizations haven’t quite made the effort to learn from others’ successes on how to adapt to the “new reality” or more importantly—learn from failures.

How can we prevent playing a continuous game of arts education Russian roulette? Read the rest of this entry »

The Power 7: A Checklist For Future Business Models in Arts & Culture

Posted by Patricia Martin On May - 18 - 2011

Patricia Martin

Open talk about new business models in the arts is a cultural signal. It’s a watermark that tells us the tides are shifting. Digital culture is eroding some of art’s traditional value proposition.

That’s not what worries me.

This does: Even if the arts can come to occupy a new role in people’s lives, will they will be able to communicate this role to attract new users—especially younger audiences?

Cultivating younger audiences will be important. They are the future. But using marketing messages and tactics from the past to reach them might mean that your organization—no matter what its business model, will not be around to see them join your ranks.  Read the rest of this entry »

Revenue Means More Than Business Models

Posted by James Undercofler On May - 16 - 2011

James Undercofler

Why, why are arts organizations being advised to research models other than the 501(c)(3)? It’s vitally important to analyze the reasons behind this “movement” in the arts and culture sector.

The changing nature of philanthropy surely plays a central role. Reduced contributed revenue from government, foundations, and corporate entities has placed increased pressure on individual giving AND earned revenue. These latter two elements tend to work in opposition to each other, in that increased pressure on individual giving generally leads to more, less-informed board members who require attention, while the need to increased earned revenue requires a fleet-footed executive team.  Read the rest of this entry »

ARTSblog holds week-long Blog Salons, a series of posts by guest bloggers, that focus on an overarching theme within a core area of Americans for the Arts' work. Here are links to the most recent Salons:

Arts Education

Early Arts Education

Common Core Standards

Quality, Engagement & Partnerships

Emerging Leaders

Taking Communities to the Next Level

New Methods & Models

Public Art

Best Practices

Evaluation

Arts Marketing

Audience Engagement

Winning Audiences

Animating Democracy

Scaling Up Programs & Projects

Social Impact & Evaluation

Private Sector Initatives

Arts & Business Partnerships

Business Models in the Arts

Local Arts Agencies

Economic Development

Trends, Collaborations & Audiences

    Alec Baldwin and Nigel Lythgoe talk about the state of the arts in America at Arts Advocacy Day 2012. The acclaimed actor and famed producer discuss arts education and what inspires them.

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