Arts organizers face a unique set of problems, probably similar to that of a circus ringleader. You need diplomacy, imagination, creativity, flexibility. You also have to be incredibly practical – managing budgets, funders, logistics. You’re often working with volunteers and supporters who need to receive non-economic benefits and feel engaged and excited. Communication is key.
First, what is “the field” we’re talking about? Artist-run spaces, experimental venues, artists creating platforms and opportunities for other artists, and organizations that put supporting artists’ work at the heart and center of their mission. We operate across a wide range of organizing principles – from being a 501(c)3 organization to a co-operative or collective, from long-running institutions to short-term projects – but we all struggle with a similar set of questions. Why is supporting experimental visual art practice important? Who are our audiences and partners? What are our tactics and strategies? What does sustainability look like? How can articulate more broadly the values and impacts emerging from this work? Read the rest of this entry »