Stephanie Hanson

Stephanie Hanson

A couple of weeks ago, Barry Hessenius of Barry’s Blog posted a question and concern that caught my attention. He wondered “whether or not we are isolating [emerging leaders] by relegating them to their own niche as ‘emerging’, and whether or not by confining them to their own ‘silo’, we might be doing them, and ourselves [meaning the field]—at least in part—a disservice.”

I was pleased to see Barry post this concern, because at least a couple of times a year, arts administrators approach me with the same issues. In my role as leadership development program manager at Americans for the Arts, our Emerging Leaders program and national network is a large part of my work portfolio.

I want to thank Barry for sharing his thoughts on emerging leaders and bringing this issue, which has been bubbling under the surface for quite some time now, to wider attention. Barry also deserves quite a bit of credit for all the great work he has done on behalf of emerging leaders in California. The networks in California—thanks in large part to the James Irvine Foundation’s and the Hewlett Foundation’s leadership—are some of the most robust networks we have nationally and are consistently looked to as model programs.

I appreciate Barry’s concerns regarding sub-sectors of our field, and wanting to create an environment where those new to the field can be seen as fellow leaders by their peers. Transition and succession planning is a large issue that our field needs to address head on in a unified way. As an emerging leader myself, I personally want to avoid the existence of “artificial walls” between emerging and experienced leaders.

In my mind, one of the discerning qualities of the Emerging Leaders Network is that it is an opportunity for those new to the field to practice and workshop their leadership skills, learn fundamentals, and network with peers. Oftentimes, a new arts administrator can feel isolated in their work, and one of the largest benefits of the network to me is that it allows an individual to connect to something larger than themselves and remember that they are a part of a movement. Read the rest of this entry »

To Go to Graduate School, or Not?

Posted by Stephanie Hanson On July - 20 - 2009

A question I hear constantly from emerging leaders is “Should I go to Graduate School or Not?”  This has been a topic of conversation on the Emerging Leader Listserv, and the same question was asked during the Career360 roundtable sessions at the Americans for the Arts 2009 Convention in Seattle.  Even after all these conversations, the only answer I can provide to this question is that the choice to go to graduate school is a very individual decision.  There is no “magic formula” for a successful career.  If you choose to go back to school, you’ll likely learn some very valuable lessons, build up a network of peers, and perhaps have other doors open to you that may not be there otherwise.  However, if you decide graduate school is not the right path for you at this time, you will still be learning on the job, building up a different network of peers, and be in the job market instead of out of it. 

There are an endless amount of professional development opportunities out there, with arts management graduate degree programs being one of them.  I did choose to go back to graduate school after working for a few years.  At American University’s Arts Management program, I learned the basics of fundraising, financial management, presenting and programming, and running an arts organization.  All of these skills are necessary for an arts manager to have. 

However, now that I’ve been out of school for a bit, I’ve begun to question what the next generation of leadership would look like if in addition to being taught fundraising and financial management, we were also taught how to advocate and build relationships with city/state government.  What would our future look like if young leaders learned how to reach beyond the walls of their organizations, into their community, and understood the connection between the arts and community development?  What if we are taught today how to be true leaders in our community tomorrow?  By learning and practicing advocacy and community development skills, emerging leaders will not only be successful managers of arts organizations, we’ll have the resources necessary to communicate our organizations’ value to those who need to hear it. 

Did you graduate from an arts management degree program?  If so, what else would you have liked to see offered?  For professionals working in the field, what professional development do you need now to be successful at your job?

Emerging Leaders: Keeping It Real

Posted by Scarlett Swerdlow On April - 24 - 2009

Chicago’s Emerging Leaders Network officially (re)launched yesterday.  Roughly 50 self-defined emerging leaders were in attendance to share resources, anecdotes, and opportunities and to network with other creative professionals.

Discussions were had, connections were made, and freakishly orange cheese puffs were eaten.  It was awesome. Read the rest of this entry »

ARTSblog holds week-long Blog Salons, a series of posts by guest bloggers, that focus on an overarching theme within a core area of Americans for the Arts' work. Here are links to the most recent Salons:

Arts Education

Early Arts Education

Common Core Standards

Quality, Engagement & Partnerships

Emerging Leaders

Taking Communities to the Next Level

New Methods & Models

Public Art

Best Practices

Evaluation

Arts Marketing

Audience Engagement

Winning Audiences

Animating Democracy

Scaling Up Programs & Projects

Social Impact & Evaluation

Private Sector Initatives

Arts & Business Partnerships

Business Models in the Arts

Local Arts Agencies

Economic Development

Trends, Collaborations & Audiences

    Alec Baldwin and Nigel Lythgoe talk about the state of the arts in America at Arts Advocacy Day 2012. The acclaimed actor and famed producer discuss arts education and what inspires them.

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