ARTSblog

Damon Rich

With Red Lines Housing Crisis Learning Center (2009), I tried to transform several galleries of the Queens Museum of Art into a place to explore how our society pays for housing, how the system has broken down, and the arguments over fixing it.

Developed between 2006 and 2008 at the MIT Center for Advanced Visual Studies, the work included video conversations with mortgage investors, homebuying counselors, bankers, financial justice advocates, and government regulators; a model of the city’s foreclosure geography using the Museum’s famous Panorama of the City of Newark; the inhabitable head of a real estate appraiser; a sinister forty-foot interest rate graph; bus-stop-style posters on the history of mortgage institutions; and puppet shows about mortgage scams and how to avoid them.

Even with this physical setting, the life of the exhibition as a learning center — not just a conceptual model for one-depended upon connections beyond the gallery, allowing the museum to play a distinct role as part of a larger democratic discussion, providing an aesthetic and abstracted supplement to the concrete but disassociated facts of the news and the disciplined and goal-oriented work of community advocacy.

While artists like Fred Wilson, Andrea Fraser, Martha Rosler, Adrian Piper, and Hans Haacke have focused art audiences on the limitations of the institutions that show their work (including class and race biases and their role in the self-legitimation of the powerful), few institutions have built upon these critical insights to develop the organizational capacities to overcome them. Which organizational capacities? Read the rest of this entry »

Kristen Engebretsen

This weekend I had the pleasure of experiencing my first authentic D.C. experience—the protest. I was drawn to the Save Our Schools March because I want to believe that America can still offer all students a quality PUBLIC education.

The Save Our Schools March (SOS) was a large umbrella event for anyone who is dissatisfied with our educational system. As a parent and an arts education advocate, my dissatisfaction has grown as our curriculum has dwindled. Cutting of subjects such as the arts, social studies, and science has been, to me, one of the worst consequences of No Child Left Behind.

So, on Friday my activism began with a screening of the film, The Inconvenient Truth Behind Waiting for Superman. It was great to watch this film in a room full of frustrated teachers.

There was booing when Arne Duncan said that the best thing that happened to New Orleans schools was Hurricane Katrina. There was hissing when Michelle Rhee bragged about her own private school experience. There was cheering when the teachers in the film spoke about public schools’ responsibility to educate the poorest and neediest of students. Read the rest of this entry »