I can’t lie to you all about this, nor can I really explain my reasons. Whenever the field gets into one of those spectacular debates about the place of selfies, or photography, or technology in artistic spaces I find myself gleefully watching it all unfold on twitter, reading the resounding “no way” opinions penned by, often British (to my delight), art historians, or the “experimentation is healthy for forward motion” responses written by the more digitally native arts marketers among us.
I find the fear of the archetypal selfie-snapping hordes of visitors—of course, besmirching the integrity of fine arts experiences with dumb poses–to be such a fascinating thing. The issue has raised real questions for the field on what it means to be present in an artistic space. Read the rest of this entry »