At the San Francisco Mime Troupe, we have been using humor as a method of presenting serious socio/political topics to our audiences for over 54 years. Our intent is to engage and activate them and offer a sense of solidarity with their fellow viewers. It’s not a new concept.
Broadly drawn, easily recognizable characters are the basis of all forms of Popular Theater from Ancient Greece to the Commedia dell’arte of Renaissance Italy to American Melodrama. Be it Kabuki or Jatra, the basic archetypes are present onstage, demonstrating the commonality of humanity’s struggle with itself. The lines are easily drawn; heroes and villains, bosses and workers, landlords and tenants all evidence of the ongoing class struggle that is our collective history. It was (and is) humor that allowed the servants to laugh publicly at their masters as they were often portrayed onstage as vain and idiotic. It was a liberation of their spirit as audiences delighted in the undoing of the patricians at the hands of a clever underling.
Whether we are tackling GMO’s, corporate personhood, workers rights, C.I.A. backed wars or oil companies, our methodology is the same. Like Mary Poppins’ “spoonful of sugar,” we have found that facts and evidence stick with folks if the information is delivered through physical comedy and witty songs. People who might routinely disagree with our point of view are more receptive to alternative ideas when laughing. Often the humor acts as a time release pill of realization when an audience member sees in real life what we illustrated onstage.
Our call for activism is usually manifested onstage by our “every person” character, who is typically called upon to make a conscious choice between their own self interest and the common good. Often that character’s sense of disempowerment mirrors that of the audience. In “Social Work”, Sharon Lockwood played Phoebe, an overworked social worker whose ability to help her clients was hamstrung by budget cuts. Driven by frustration, she dons a disguise and as The Lady in Red, and in a comic Grand Guignol eliminates her foils in elaborate murders. Clearly we were not advocating murder, but the over-the-top style provided a catharsis for the audience as they cheered Phoebe on. Often audience members recognize themselves onstage in a way that might affect their choices in the future, as in the portrayal of the disillusioned and disengaged activist. Humor can provide a wake-up call. Read the rest of this entry »