ARTSblog

This year marks the 25^th anniversary of National Arts Advocacy Day (AAD), the largest and most wide-ranging, one-day advocacy effort in support of the arts.

Advocates come from across the country come to Washington, DC, to meet with their members of Congress and staff members as part of the event. While the topics range from charitable giving incentives to cultural exchange, the keystone issue for many advocates remains support for the National Endowment for the Arts (NEA).

Here is what last year’s National Arts Advocacy Day Co-Chair Kerry Washington had to say about the importance of NEA funding (and other issues):

If that wasn’t enough, check out some of the stats that demonstrate the scope of the NEA’s impact:

• Nearly 2,000 NEA awards have been made in communities in all 50 states.
• 100 percent of Congressional districts will receive at least one grant, and 3,000 or more communities will participate in NEA-sponsored projects. These communities will benefit from these projects in ways such as touring and outreach.
• Nearly 90 million individuals benefit from NEA programs, including 9 million children and young adults.
• The NEA has awarded more than $4 billion to support artistic excellence, creativity, and innovation for the benefit of individuals and communities. Read the rest of this entry »

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The official United States Marine Corps YouTube channel, MARINES TV, posted a video highlighting the fascinating role of combat artist Sgt. Shawn Sales, an instructor at the Defense Information School at Fort Meade, MD, how the work of combat artists impact the Marine Corps.

*Hat tip to the USMC and National Endowment for the Arts’ Twitter accounts for sharing the video this morning.

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Roger Vacovsky

Last week, I renewed my membership for my alma mater’s alumni association. I understand now, more than ever, that my participation in the program contributes to not only the future success of my university, but also to my own past experiences.

Since my graduation, I have enjoyed watching the University of Houston (UH) flourish, albeit from afar, receiving periodic email updates regarding the upgrades to the campus. This includes the Cynthia Woods Mitchell Center for the Arts, a tremendous effort by the university to combine five arts-based departments into one collaborative arts force. Although I am just one alumnus contributing to my university’s growth, I feel as though I played a part in making these improvements possible.

I was even eager to experience the progress of the Houston Cougar football team in 2011—which I had absolutely no part in during my time in school—as it set records for a fierce offense and toppled another, much more storied (and recently infamous) football program in a bowl appearance this year in Dallas.

There are many good reasons why we become members of our graduating university’s alumni association. As I had mentioned before, we begin giving back to the institution that helped us prepare for a successful career. We want to enhance the experience of the future generation of students so that they can go on to achieve greatness.

Believe it or not, the continued success of your alma mater retroactively increases the worth of your degree. By becoming a member of your alumni association, your membership dues help your university realize the success it consistently fights to achieve. Read the rest of this entry »

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Deb Vaughn

While facilitating a panel recently, the need for one-on-one attention to help students achieve their personal goals came up.

This got me thinking about IEP’s (Individualized Education Programs). An IEP is developed to meet the unique educational needs of an individual student who may have a disability.

Here’s my thought: Don’t we all need an IEP?

I don’t mean to downplay the critical importance of IEP’s for students with disabilities (in fact, IEP’s are mandated by the Americans with Disabilities Act), but to acknowledge that what works for one student, regardless of their disability status, may not work for the next.

We all have unique educational needs.

As an adult, I fill out a yearly self-evaluation, detailing my goals for the next year and my plan to achieve them. I work closely with my supervisor to make sure I include her feedback, but my self-knowledge is the driving factor in developing the plan. Together, we create an IEP for my professional development. At the end of the year, I identify areas that need continued improvement and go forward from there.

Isn’t this the kind of reflective goal-setting that encourages students to take responsibility for their education? Read the rest of this entry »

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Max Donner

Dozens of new records were set at the historic auction of the Elizabeth Taylor Collection December 13-17. This crowned two years of historic new price records for all types of art, all around the world.

The momentum began with the auction of Alberto Giacommetti’s “Walking Man I” for $104 million at Sothebys-London in February 2010. The sale remains the highest auction price for sculpture, but a new record for art at auction was reached just three months later with the sale of Picasso’s painting “Nude, Green Leaves and Bust.”

New artist and category records have continued to impress the art world almost daily ever since.

Research indicates that art market prices will continue to increase for several years and that art organizations need to plan ahead for this.

One important trend is “White Glove Auctions.” These are auctions at which every single work offered for sale is sold. While they used to be rare, this phenomenon accelerated at the auctions of photographs by Richard Avedon in Paris in November 2010 and drawings by Egon Schiele and Gustav Klimt in December 2010. Read the rest of this entry »

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Tim Mikulski

It’s become a tradition that ARTSblog offers up a question as part of our annual New Year’s card (our 2012 question will be posted in two weeks), so I didn’t want to take away from that when I started writing a “Happy Holidays” post this morning.

As I began writing a simple message thanking our members, friends, arts leaders (both emerging and emerged), artists, arts administrators, arts educators, social media readers, bloggers, advocates, funders (current, past, and future), partner organizations, business leaders, and (insert anyone I accidentally missed here), I searched the Internet for a quote that would be appropriate for the holidays or New Year that also included the arts.

I found a few that I liked, but then it dawned on me. I need only look back to our 2009 Nancy Hanks Lecture on Arts & Public Policy given by Wynton Marsalis. His performance/speech was titled “The Ballad of the American Arts.”

As he covered our country’s history, the end of Marsalis’ speech talked about the future and I think this passage sums up the end of year/holiday feeling that many of us have this time of year: Read the rest of this entry »

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Throughout the country, many performing groups have taken to public forums to display Random Acts of Culture™ (supported generously by the Knight Foundation) covering all art forms including music, dance, and theater.

Just a few weeks ago, the Arts & Science Council of Charlotte captured this dance performance from their local airport:

But there are so many other examples to choose highlight including a string quartet at an outlet mall in Georgia:

Read the rest of this entry »

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Nancy Hanks

Americans for the Arts is proud to announce that 2012 marks the 25^th anniversary of the Nancy Hanks Lecture on Arts and Public Policy.

The lecture itself is dedicated to an impressive and influential individual — Nancy Hanks, former president of Americans for the Arts (then known as the American Council for the Arts) and chairwoman of the National Endowment for the Arts (NEA).

Chairwoman Hanks was appointed by President Nixon in 1969, four years after the founding of the NEA, and served two four-year terms.

Under her tenure, the NEA’s budget grew by a staggering 1,400 percent! This budgetary expansion is demonstrative of the critical role Chairwoman Hanks played in the development of the NEA and the arts in America.

Hanks proved to be an articulate and effective advocate for the importance of federal arts support during an especially vulnerable time. As members of Congress continued to dispute the very existence of the NEA, she was able to personally persuade dozens of legislators to vote for increased appropriations. Read the rest of this entry »

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Jeanie Duncan

Do you recall your first formal leadership development experience? Mine was in 2000 — I was sponsored by a foundation to participate in the Leadership Development Program at the Center for Creative Leadership (CCL). I was 30, and I had been working for nine years, building a career in the nonprofit sector.

In the early years of my career, I received leadership training from various bosses, mentors, and other seasoned professionals in the form of advice, best practices, and – most often – “in the moment” life lessons. My ‘classroom’ occurred while wearing many hats, trying new things, taking risks, and making my best efforts to exhibit courage in the face of fear. Progress and discoveries came as much by failure as by success.

Today, universities have more formally developed student leadership offerings; many are requirements for undergraduate study. Students graduating and entering the for-profit workplace often begin on a development track and are exposed early on to corporate leadership training, assessments, and coaches.

These kinds of critical opportunities, while assumed and plentiful in the corporate environment, are glaringly absent in the nonprofit sector. And even if available, many leadership programs are cost-prohibitive for many small to medium-sized organizations. Read the rest of this entry »

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Michael Spring

Michael Spring has been pretty busy these days; even more so than usual. Not only does he oversee a half billion dollar capital project budget with the Miami-Dade County Department of Cultural Affairs, but Spring recently came off of a five-month stint as an assistant county manager while Miami-Dade searched for its new mayor.

“I accepted the challenge,” Spring says, “on three conditions: that I would not get the office, that I wouldn’t get the parking space and that I wouldn’t get the title; I really wanted it to be an interim responsibility.” Since 1990, Michael Spring has served as Director of his department, and 21 years later, he still just wants to be nothing but a “director of a great local arts agency”.

With the appointment of Miami-Dade County Mayor Carlos Gimenez in July 2011, Spring sees great promise for his community: “Our new mayor is a ‘progressive arts supporter’” and in realigning much of the county government, he “took all of the cultural facilities that were being managed by the parks department and transferred them to my department”.

When asked about this ‘added responsibility’, Spring says, “Organizationally speaking it’s the right thing to do. Practically speaking these facilities have been starved for years in the Parks Department. They come with enormous challenges. They are underfunded, understaffed, and in desperate need of capital improvements” In align with his Department’s mission, he resolves, “We’ll have to dig in and figure out a way to make them great. But that’s the job, right?” Read the rest of this entry »

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Theresa Cameron

What a great week of blogs in our first Local Arts Agency Blog Salon!

Thanks to our bloggers and all our commentators, Tweeters, and Facebook sharers.

As I read each of these blogs I was reminded again and again of the famous Tip O’Neill quote “All Politics is Local” only I insert “All Art is Local.”

And the work that our local arts agencies do throughout the United States helps us understand, explore, and create a better place for all of us.

I love that in Oxford, MS there is partnership between the Yoknapatawpha Arts Council and the Cathead Vodka Company.

I was inspired to hear about the great rebuilding that’s going on in Toledo. Read the rest of this entry »

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Felix Padron

I am excited about San Antonio in that it feels like the conversations are finally leading to a collective common ground.

For the past ten years or so, San Antonio has had its share of independent strategic planning efforts related to art and culture, and their relationship with inner-city revitalization, economic development, and tourism. Most of these plans have had little return on investment, in part because of a lack of clear vision and dedicated resources.

Now, however, the mayor’s SA2020 initiative may help jump-start strategies that had never seen the light of day but are still relevant in today’s cultural environment. SA2020 has also signaled a new political willingness to shift from a passive planning mode to a more proactive “Just Do It” mindset. This is a good set of circumstances to pave the way for real transformation.

More important, the arts have reached credible acceptance throughout the community. Together with its various art & culture partners, the Office of Cultural Affairs (OCA) maintains a productive working relationship with city departments and agencies such as the Convention Visitors Bureau, Economic Development, International Affairs, the county, the San Antonio River Authority, and the Metropolitan Transit System. This level of engagement has given cultural organizations and artists a place at the table as the city and affiliated agencies all move forward with new, tangible initiatives. Read the rest of this entry »

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Will Maitland Weiss

Anyone still reading this on a desktop computer?

Even you—along with the smart phone and smarter tablet readers—know that the tsunamic trend of digital communication will continue to roil how we deliver art (and get money to do so) in 2012.

You certainly aren’t reading this in one of the printed “newsletters” of my (distant) youth. Those, and brochures, and posters, and postcards, and print advertising—which used to take up so much of our time and of our paltry budgets–are going, going, gone.

We tell the stories of our art differently now. We sell our tickets differently; our tickets, which will soon be pieces of cardboard as often as our subway fares are paid in metal tokens.

C-R-M! C-R-M!

Variable pricing—which got a passing shout-out in a recent Sunday Times Magazine (page 11), kind of in the context of “Duh? Some people aren’t doing this?!” Read the rest of this entry »

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Marc Folk

No two are exactly alike. Each has its own strengths and challenges. Some are well funded Departments of Cultural Affairs. Some are small organizations with a shoe string budget. The rest fall somewhere in between.

We land into the category of being created in our city’s charter but stand as a separate 501(c)3 nonprofit organization.

What this means is we have to fundraise to deliver our programs and services and partner as often as possible. Both require patience, flexibility, and an innovative mindset to extend our reach into the community and get the arts to the people.

Partnership is often talked about like a simple and obvious solution; however, those that have taken it on know just what may lie in the details.

Partnerships in fundraising, especially cross sector, can prove even more challenging. But they CAN work.

As we enter into 2012, The Arts Commission will be heading into its second year fundraising partnership with ProMedica, a locally-owned nonprofit healthcare organization, and its subset the Toledo Children’s Hospital Foundation. This joint effort combines the agency’s efforts with the Autism Collaborative to centralize services for children with autism and their families and the Arts Commission’s mission. Read the rest of this entry »

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Libby Maynard

There is a movement afoot for which I’ve been waiting for a long time.

Here in California in the last several years, the James Irvine Foundation conducted several studies and issued reports about arts ecology in California and engagement in the arts by diverse audiences, including folk and traditional arts.

The data was so powerful that Irvine is refocusing its grantmaking efforts “to promote engagement in the arts for all Californians, the kind that embraces and advances the diverse ways that we experience the arts, and that strengthens our ability to thrive together in a dynamic and complex social environment.”

The most exciting report is Getting In On the Act: How Arts Groups are Creating Opportunities for Active Participation, by WolfBrown.

They are specifically talking about active engagement, not passive, such as attending a concert. By no means is the Irvine Foundation abandoning the concept of excellence in the arts, but recognizing that there is a broad range of accomplishment that is equally relevant, perhaps more so to community vitality. Read the rest of this entry »

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