Archive for the ‘Uncategorized’ Category

Arts Mean Business Forum Highlights from Miami Arts Week

Posted by Laura Bruney On December - 18 - 2014
Laura Bruney

Laura Bruney

The 2014 edition of Art Basel week this December in Miami featured the perfect marriage of arts and business. Beyond the dozens of satellite fairs and thousands of gallery booths catering to collectors, Miami Art Week offered a far more compelling benefit for businesses eager to court potential clients. Pacesetters from all industries and brand power houses swooned at the reach of art week. Developers, financial investment companies, tech start-ups, luxury car brands, and more cleverly leveraged the arts as a strategic imperative for business. These companies know the arts mean business. Read the rest of this entry »

Americans for the Arts Releases Its 2015-2017 Strategic Plan

Posted by Mara Walker On December - 11 - 2014
Mara Walker

Mara Walker

This month, Americans for the Arts releases its 2015-2017 strategic plan. For an organization that’s been around 55 years you might wonder, so what? The truth is, Americans for the Arts actually lives by its strategic plan, and this one, more than ever, focuses on our number one priority: building recognition for the transformative power of the arts in all of our lives and communities in new ways.

We have always been working to help decision makers understand the impact of the arts in building better places to live and work. Through research, professional services, advocacy, visibility and policy development, Americans for the Arts has remained committed to educating decision makers about the impact of the arts, increasing resources and policies for the arts and arts education, and generating awareness that the arts are more than a great way to spend your Saturday night, and in fact, change lives. Read the rest of this entry »

Kate McClanahan

Kate McClanahan

You might be wondering what is happening in Congress as the lights twinkle towards year-end. You might be seeing pictures of ducks, a tribute to the current, post-election session that’s termed “lame-duck.” All the while, retiring and defeated members of Congress take up life in cubicles, losing their office space, most of their equipment, and sometimes even most of their staff. Yet, Congress is still in session. Policy is still happening, and deals are ever-changing. Here’s what you can best expect in these final days of the 113th Congress as it impacts the arts:

Tax Extenders

If you’re a follower of Congress and the nonprofit community, you’ll know that over 50 policy provisions that can affect your taxes expired a year ago. Read the rest of this entry »

Abe Flores

Abe Flores

I had never been accused of being white. It was the second Diversity Forum with about two dozen local arts stakeholders and a clearly skeptical gentleman asked, “What are two white guys from a national arts organization doing facilitating a local conversation around diversity in the arts?” The question took me aback. “I’m not white, I’m Latino,” I instinctively responded as if my bona fides to facilitate this conversation were my non-whiteness. The gentleman had come into the meeting space with folded arms and body language that clearly expressed skepticism towards the purpose and the conveners of the forum. I continued to address the gentleman’s questions with a more detailed overview of the Diversity Initiative:

  • We were there working with the local arts agency to create a space for dialogue to discuss diversity issues identified by our partners and forum participants.
  • We are doing this in the six regions that constitute the Greater Washington DC area to help bridge efforts and learning locally and if possible nationally.
  • Finally, we are doing this because the arts administration field has made it clear to us that it’s time to move beyond simply agreeing on the need for more diversity and begin to create actionable frameworks. Our first steps were these sometimes awkward conversations to develop small objectives to begin to address local diversity in the arts.

Read the rest of this entry »

Clay Lord

Clay Lord

The pursuit of forward progress in issues of diversity, access, and equity in the arts in America is a difficult and frustrating business. A conversation that starts with, say, a lack of racial diversity on an organization’s staff can quickly move from hiring practices to a perceived lack of qualified candidates of color in the pool, to a discussion of the systemic devaluation of the arts as a career option in certain populations, which may or may not stem from systemic inequalities in the American education system surrounding arts education, which in turn is representative of a society built from bottom to top on the creation of privileged class predominantly defined by the unequal distribution of wealth and access to opportunity across hundreds of years and dozens of generations. And suddenly you aren’t talking about a problem you can do anything about, and you feel either overwhelmed or off the hook. What can I do about that, anyway? Read the rest of this entry »

What the Midterm Elections Mean for the Arts: Summary of 2014 Election

Posted by Nina Ozlu Tunceli On November - 6 - 2014
Nina Ozlu Tunceli

Nina Ozlu Tunceli

Narric Rome

Narric Rome

In this year’s midterm elections, Republicans took back the Senate, kept control of the House and won governorships in 31 states and counting. What does that mean for you and for us, as strong advocates of the arts and arts education? Here we break down the national, state, and local results – and their potential impact on the arts:

 

In Congress

The U.S. Senate will be Republican-led. This means all Senate committees will see new chairmen, and since those committees control and recommend federal spending, these new chairmen could have significant impact on federal arts funding. Read the rest of this entry »

Giving Time & Treasure to the Arts Makes All the Difference

Posted by Megan Bell On October - 24 - 2014
Jordan Shue

Jordan Shue

Megan Bell

Megan Bell

Throughout the blog salon this week during National Arts and Humanities Month (and Pro Bono Week!), we hope these posts have demonstrated the value of giving your time and treasure to the arts. Whether you are an individual philanthropist, business volunteer, young patron, emerging art leader, or corporate sponsor, your contributions strengthen the arts across America.

As we saw this week, there are many ways to support the arts. We can encourage younger patrons to support the arts now and in future generations, engage the community in unique ways to raise awareness of the arts, donate time and volunteer skills to further the missions of individual arts organizations in your community, join the push for tax policy that favors the arts, recruit new supporters of the arts through workplace engagement and giving campaigns, and above all, become a passionate ambassador for such an important cause.

Volunteering your time provides capabilities and experiences that many organizations may not have the resources to otherwise procure, and donating your resources grants arts organizations the means to continue focusing on fulfilling their missions, growing their audiences, and producing great art. Did you know: Read the rest of this entry »

Many Hats, Giving Back

Posted by Julia Harman Cain On October - 23 - 2014
Julia Harman Cain headshot

Julia Harman Cain

I remember little about my first time on stage: a ballet recital at age three. We danced to “Winter” from Vivaldi’s “Four Seasons,” and I had no idea what I was doing. Happily, the VHS evidence shows that I did not fall down.

In first grade, I made my theatrical debut. My class produced a short skit about caring for the environment, and I played the crucial role of Super Recycling Kid (who recycled to save the planet). My favorite part was wearing my superhero cape for the rest of the school day.

Ever since, the arts have been a constant in my life. As a kid, I loved the transformation inherent in theater: we created a world together onstage and, for a few hours at a time, it was just as a real as anything else. Read the rest of this entry »

An Interview with Jane Chu, Chairman of the National Endowment for the Arts

Posted by Caitlin Holland On October - 23 - 2014
Jane Chu

Jane Chu

Jane Chu was confirmed as the Chairman of the National Endowment for the Arts (NEA) this past June. She recently answered a few questions about the NEA’s priorities in relation to local arts agencies. 

1) Was your decision to pursue a career in the arts a conscious one, given your background in performance, arts administration, philanthropy, and business leadership?

Yes, it was. I understood already what it was like to be an artist, to produce, to create, to perform.The arts are the keystone of my studies, and have been an important touchstone throughout my life and career. At the same time, I wanted to truly understand the systems and processes related to business, so I got my MBA. As a fundraiser, I loved the aspect of connecting donors to give to the things they cared about, and the organizations that made it their mission to address a need in the community. It turns out that all of these things — art, business and philanthropy — are key aspects of my job, and give me the tools to help us create an environment for the arts to bloom and thrive. Read the rest of this entry »

158 Years: An NYC Public Art Journey

Posted by Jennifer Lantzas On September - 5 - 2014
Jennifer Lantzas

Jennifer Lantzas

I am a firm believer that you have to understand where you have been to know where you are going—and public art in NYC has changed drastically over the past century and a half. The first sculpture in a New York City park was George Washington by Henry Kirk Brown, which was unveiled in Union Square in 1856. For the next 100 years public artworks were predominantly commemorative or memorial in nature—realistic representations of notable politicians, soldiers, and leaders.

By the 1960s, new ideas about what constituted artwork freed artists to explore new forms of materials and exhibitions. Sculpture grew beyond the constraints of studio and gallery spaces, and people embraced the social and political impact of art. With big sculptures, big ideas, and performance artists’ impromptu “happenings” in the City’s public spaces, it was only natural that visual artists wanted to bring their artwork outdoors. Read the rest of this entry »

Forming a Workers Public Art Practice….

Posted by Barrie Cline On September - 4 - 2014
Barrie Cline

Barrie Cline

Some years back, I was fortunate enough to be asked to develop an arts course for the mainly rank and file construction workers that are required by their union to attend our Labor College. I chose to develop a class on public art seeing it as a vehicle to take up issues around working class studies by initially focusing on the built environment of New York City, thinking that engagement might be sought as my (sometimes reluctant) students were builders of that environment.

The emphasis on NYC’s built environment in Tom Finkelpearl’s text Dialogues in Public Art proved one way to introduce this study, as well as to take up issues of representation and to open up what art can be and whom it can be for. At some point, it became obvious that the class actually should allow for making art, particularly after incorporatingreadings from Larry Shiner’s The Invention of Art which helped us look at the possible re-elevation of the construction tradesperson’s own artisanship, given Shiner’s argument that Fine Art is a relatively recent construct of the west in the eighteenth century. We began to think about work as art, and about making their labor—and the worker—more visible. Read the rest of this entry »

Grassroots Public Art and Political Power

Posted by Cameron Russell On September - 4 - 2014
Cameron Russell

Cameron Russell

It often strikes me that pundits and political scientists are engaged in a very limited discussion about politics. I am bored hearing about the political elite and about the influence of money. I think people that have been considered politically marginalized often illuminate sites of equality and of hope. Their stories of effecting change from the margins are especially relevant as an increasing majority of Americans find themselves marginalized from our political and economic systems.

My first encounter with public art was reading Jack Stewart’s book Graffiti Kings. At its height, during the 1970s, Stewart wrote, “Few urban communities had ever experienced such a rapid and concentrated alteration of their visual environment.” An alteration accomplished largely by 8 to 16 year old Black and Latino boys. Why was the demographic least likely to vote, or engage in organizational work, in control of one of the fastest visual changes of an urban environment? Read the rest of this entry »

Public Art: A Personal Journey of Discovery

Posted by Todd Eric Hawkins On September - 2 - 2014
Todd Eric Hawkins

Todd Eric Hawkins

My path to a career in public art was not by personal design. I moved to New York City to get discovered as a performer and live the dream I had cultivated since birth (or at least since seeing Jennifer Holliday sing on the Tony Awards.) There were a few steps in that strategic plan that I had not taken into account, like surviving in New York City. I needed a survival job.

As an actor, I found a home with a children’s theater company, and paid my bills as an Executive Assistant. During the week I worked for the Dean of Columbia Business School, where I studied how he dealt with a Board and a staff, while on the weekends I was a beast, a mermaid king, a rocking horse, or a giant.

As the years and survival jobs passed, I began to realize that the arts field was much broader than I had realized. It offered many meaningful opportunities to engage with all types of audiences beyond the stage. Read the rest of this entry »

Booz Allen Hamilton Finds Inspiration in the Arts

Posted by Ralph W. Shrader On August - 28 - 2014
Ralph W. Shrader

Ralph W. Shrader

Patrick O'Herron

Patrick O’Herron

Patrick O’Herron interviewing Dr. Ralph W. Shrader, Chairman & Chief Executive Officer of Booz Allen Hamilton.

1. Booz Allen Hamilton was a 2011 BCA 10: Best Businesses Partnering with the Arts in America honoree. Why does the company choose to support the arts?

The arts inspire, provoke thought, spur creativity, and connect us in a shared experience. These are also the essential qualities of an enduring, successful business–therefore, both as an institution and as individual employees, we find a natural affinity for the arts at Booz Allen. Corporate support helps make exhibitions and performances possible, and we find this to be a good way to give back to the communities in which we work and live.

2. How has the company’s support of the arts advanced business objectives?

Externally, there is a positive brand affinity and visibility that comes from association with respected museums and arts organizations, as well as favorable recognition in the community for helping to make possible quality exhibitions and performances. Read the rest of this entry »

Barriers to Arts Participation: On Perception, Value, and Luxury

Posted by Kelly Olshan On August - 23 - 2014
Kelly Olshan

Kelly Olshan

In America, the arts are often seen as a luxury. They are the first thing to go when school boards cut budgets, and successful arts policy is seen as the exception, not the rule.

Like other so-called “luxuries,” people go to extreme measures to preserve its integrity. Historically, art is something we risk incarceration for, accept poverty for, or in the case of the quintessential rock star—quit your job, sell your house, and move across the country. Chuck Close said art saved his life. Ai WeiWei has been detained by the Chinese government. Thrice. Clearly, we’re onto a powerful motivating force.

Yet if so many acknowledge the arts’ value, then why do we even have to convince people to participate? Americans for the Arts’ CEO Bob Lynch traces Americans’ view of cultural events to our puritanical roots: “In Europe, arts advocacy organizations don’t exist they way they do in America—simply because they don’t need them.” Read the rest of this entry »