Business partnerships with arts organizations are a key factor in enhancing the vitality of our communities nationwide. Americans for the Arts supports a network of Arts & Business Council Affiliates (ABC), Business Committee for the Arts affiliates (BCA), United Arts Fund affiliates (UAF) and Local Arts Agencies that work to build private-sector support for the arts. Learn more.
As a fellow emerging professional in the field of arts management, we may often think of ways to emerge or advance our careers. I believe that we can do this by learning about current issues/trends, practicing/exploring new skill sets, networking with a purpose and gathering insights from experienced professionals. I’ve found all these opportunities for career development in one place, the Emerging Arts Leaders DC (EALDC).
EALDC is a volunteer-led initiative that provides professional development, networking, and information relevant to emerging arts professionals in the metropolitan Washington, DC area. EALDC is part of the national Emerging Leaders Network, a program developed by Americans for the Arts. Read the rest of this entry »
According to Taproot Foundation, 92% of nonprofits across the nation say they do not have enough pro bono support. Of the 500+ companies who pledge to support pro bono volunteering through A Billion + Change, 14% are Fortune 500 companies.
If you take the need for pro bono volunteers and the pool of corporations who support pro bono volunteering, there are not enough volunteers. Furthermore, if you reduce the pool of potential volunteers to businesses who support the arts, the pool becomes a pond.
So how do you attract a different kind of pro bono talent to fill the pond? By forming cross-collaborations with other partners focused on skills-based volunteers and introducing those volunteers to the arts world. Read the rest of this entry »
Every organization needs a plan for their board members and major donors of the future. If engaging young professionals ages 25 to 35 is integral to your organization’s objectives, here are four tips that other young professional groups for arts organizations that I have worked with have found helpful.
- Project a inviting welcome
From the outside looking in, arts organizations can sometimes appear to have a “clique-y”-culture that would ignore new members unless they have the proper pedigree. Often, the ideal candidates for young professional art groups are shy to come forward thinking that they won’t “belong” if they can’t name the artist, converse in a detail about the composer’s work, quote Shakespeare, or be able to contribute more than $1,000. Read the rest of this entry »
When you think about the performing arts, the first image that comes to mind probably isn’t thousands of cyclists. But in Milwaukee, bike riding and the performing arts have been connected since 1981 when the United Performing Arts Fund (UPAF) started the UPAF Ride for the Arts, sponsored by Miller Lite. Back then it was known as “Arts Pedalers,” then it grew immensely as “Uecker’s Ride for the Arts” and “Miller Lite for the Ride for the Arts.” The current name, which our title sponsor graciously agreed to in 2010, ensures the focus of the event is on its reason for being–to support the performing arts in Southeastern Wisconsin.
Founded in 1967, UPAF is an umbrella fundraising United Arts Fund with a threefold mission: 1) to raise much-needed funds to ensure entertainment excellence, 2) steward the dollars our donors so generously give, 3) promote the performing arts as a regional asset. As the single largest funder to 15 of the largest performing arts organizations in our region, including the Milwaukee Symphony Orchestra, Milwaukee Ballet, and Milwaukee Repertory Theater, UPAF is essential to sustaining the valuable asset that we have in the performing arts. Read the rest of this entry »
Since the late 1950s, Tom James, our chairman at Raymond James, and his wife, Mary, have dedicated themselves to the acquisition of artwork from American artists, with a current focus on the art of the American West. Their collection has grown steadily over the years, and is now considered to be one of Florida’s largest private art collections.
More than 2,400 pieces, hand-selected by Mr. James, line the hallways of our international headquarters in St. Petersburg, Florida. Of course, we’d never want to keep the collection all to ourselves. With guided tours available during business hours and open to the public, our hallways sometimes seem more like a museum than a corporate workplace. We prefer it that way. Read the rest of this entry »
With one of the oldest United Art Funds in the country, Fund for the Arts, the Louisville region is a national model for how the arts can make a community–providing an outstanding quality of life, progressive educational programs and a great place to succeed in business.
In 2014 Fund for the Arts raised more than $8 million in support of the Arts, with workplace giving making up 45% of the revenue generated. Workplace giving has risen from five participating companies in 1980, with a few hundred donors, to more than 200 companies with more than 20,000 donors providing more than $3 million annually. Read the rest of this entry »
I have the pleasure of serving as StubHub’s Head of Corporate Social Responsibility (CSR) and in September 2012, had a life-changing opportunity to visit New Orleans with a special mission.
New Orleans was to host Super Bowl XLVIII, meaning it would also be the site of StubHub’s annual Super Bowl Pregame Bash, which attracts some 7,000 attendees each year. The city of New Orleans has given so much to sports and music fans alike, and as the world’s largest ticket marketplace, these very fans are the core of our business. Naturally, we wanted to give back.
While considering ways to narrow StubHub’s CSR focus to increase our positive impact, we uncovered findings any Americans for the Arts member knows all too well: while more research than ever before demonstrates how vital the arts are to youth development and future achievement, budget cuts continue to threaten arts education in schools across the country, particularly those in underserved communities. These findings further spurred our drive to give back. Read the rest of this entry »
Welcome to Americans for the Arts’ latest blog salon, hosted by a hybrid of development and private sector partners. “Giving Time and Treasure to the Arts” can be interpreted in many ways depending on who’s doing the talking. It can mean raising support from corporate partners, building relationships with passionate individual philanthropists, engaging employee volunteers, or harnessing the power of creativity to increase productivity and happiness in the workplace. We welcome you to join us throughout the week to learn what “giving time and treasure to the arts” means to our members around the country, as well as some of our sector’s greatest supporters. Read the rest of this entry »
This interview by Laura Bruney of the Arts & Business Council of Miami was originally published August 11, 2014 on their blog, www.artsbizmiami.org/ArtsBizBlog. Laura interviewed Matt Haggman, Miami Program Director at the John S. and James L. Knight Foundation.
When talking entrepreneurialism, innovation, and Miami, all roads lead to Matt Haggman. As Miami Program Director for Knight Foundation, he is a visionary that is facilitating the growth of a technology and start-up boom in our community. His change-making leadership can be seen in the success of programs, collaborations, mentorships and shared workspaces flourishing in the past year. This power player shares a bit of his creative insight with us in the below interview. Read the rest of this entry »
Love Local Arts: How businesses in the Napa Valley partner with the arts to blend wine and food, art and culture
A private sector partnership with the arts is creative outsourcing. It is an understanding that human development is inspired by changing cultural practices. It is a realization of the responsibility to organize and produce an effective community. It is a commitment to lead and serve vibrant neighborhoods that emphasize solidarity and forward-thinking.
In my hometown of the Napa Valley, California, the wine industry has saturated the economic landscape and cultivated an incredible hub for arts and culture: a cultural experience that pairs wine and food with art, music, and dance. Read the rest of this entry »
Last Wednesday morning, New York City’s newly instated cultural commissioner, Tom Finkelpearl, greeted representatives from numerous local institutions for the Crain’s Arts & Culture Breakfast: A New Future for New York’s Culture Industry. Finkelpearl, formerly the executive director of the Queens Museum, opened the event with comments on the current landscape of the arts in New York City, a few of the challenges it is facing, and some of the “cultural perks” his office plans to introduce to address them. The commissioner touched on the roll-out of new Municipal ID Cards, saving the finer details for the Mayors announcement on Thursday, and commented on the newly allocated $23M to arts and cultural education throughout the city. Read the rest of this entry »
We Know What You Did Last Summer: Arts and Business Council of New York’s Multicultural Arts Management Internship Program
This summer, eleven students descended upon New York City from all over the country with an arts administration gleam in their eyes. Different backgrounds, interests, schools, majors, and futures all converged at Con Edison’s headquarters in Union Square to kick off what would prove to be a very rewarding shared experience.
The Arts and Business Council of New York’s Multicultural Arts Management Internship Program places students and recent graduates at host arts organizations throughout the city. Participants find themselves thrust into a bustling and fast-paced city while working in various departments of institutions that are doing great work to enhance every discipline of the arts. As the students settle into their various organizations and departments, from development to programming to marketing, they not only rely on the support of their fellow peers but also on support from a volunteer mentor from the New York business community. This relationship is another avenue of development and investment–one that provides guidance as each intern navigates a new role, a new city, and their future plans. Read the rest of this entry »
Patrick O’Herron interviewing Dr. Ralph W. Shrader, Chairman & Chief Executive Officer of Booz Allen Hamilton.
1. Booz Allen Hamilton was a 2011 BCA 10: Best Businesses Partnering with the Arts in America honoree. Why does the company choose to support the arts?
The arts inspire, provoke thought, spur creativity, and connect us in a shared experience. These are also the essential qualities of an enduring, successful business–therefore, both as an institution and as individual employees, we find a natural affinity for the arts at Booz Allen. Corporate support helps make exhibitions and performances possible, and we find this to be a good way to give back to the communities in which we work and live.
2. How has the company’s support of the arts advanced business objectives?
Externally, there is a positive brand affinity and visibility that comes from association with respected museums and arts organizations, as well as favorable recognition in the community for helping to make possible quality exhibitions and performances. Read the rest of this entry »
The reception area in the Bacardi headquarters in Coral Gables is impressive. The oak walls are covered with artwork from Latin-American masters from Porto Carrero and Lam to an incredible Antonio Gattorno piece that lives center stage filling one of the main lobby walls. Each piece in the collection has a story, one more interesting than the next. The art owned by the Bacardi family is one of the more impressive private collections of Latin American art in the world. It is here that we met Aura Reinhardt, Vice President of Corporate Relations who shared with us some of Bacardi’s history and their involvement with the arts. Read the rest of this entry »
Music has been one of my greatest passions for as long as I can remember, and my experiences with it have truly shaped my life for the better. As a performer, educator, administrator, and friend, it is even more rewarding to be a first-hand witness to, and take part in, making positive change in others’ lives through music. The Chamber Orchestra of Philadelphia’s newest project and collaboration with the healthcare industry through Heart Strings: Music Education for Patients at The Children’s Hospital of Philadelphia at The Children’s Hospital of Philadelphia (CHOP) has been a wonderful example of the transforming power of the arts.
My name is Aileen Rimando and I am the Communications and Outreach Coordinator for The Chamber Orchestra of Philadelphia. An educational component was recently added to my role, and I am thrilled to have the opportunity to expand our outreach offerings to the private healthcare industry to engage and inspire the Philadelphia community. Read the rest of this entry »