Business partnerships with arts organizations are a key factor in enhancing the vitality of our communities nationwide. Americans for the Arts supports a network of Arts & Business Council Affiliates (ABC), Business Committee for the Arts affiliates (BCA), United Arts Fund affiliates (UAF) and Local Arts Agencies that work to build private-sector support for the arts. Learn more.
The North Texas Business Council for the Arts (NTBCA) is a nonprofit organization, founded in 1988, by iconic business leader and philanthropist Raymond D. Nasher. NTBCA is dedicated to creating business and arts partnerships in the 16-county region that is anchored by Dallas and Fort Worth. Our programs connect business professionals to the arts through education, events, and advocacy. NTBCA’s Board of Directors is made up of executives from some of the region’s top companies. Read the rest of this entry »
I live in a community that clearly values the arts and creativity – arts participation in Portland and in Oregon is among the highest in the country according to the NEA. Even so, private philanthropy lags significantly behind the national average.
How can we convince more Oregonians to support the arts? Anytime we launch a new private sector initiative, we turn to our government partners first. (Perhaps that’s partially because our local arts agency, the Regional Arts & Culture Council, was a city bureau until 1995.) In any event, public-private partnerships have become the standard way of growing the Portland metro region’s arts community. Read the rest of this entry »
On the 2nd of April, the Arts & Business Council of Miami (A&BC Miami) and the Greater Miami Convention & Visitors Bureau (GMCVB) hosted the 11th Annual Breakfast with the Arts and Hospitality Industry. The event takes an innovative look into how hospitality companies can attract and engage with the arts for profitable partnerships that enhance Miami’s reputation as a growing destination for cultural tourism. Read the rest of this entry »
The following piece by Siobhan Kenney was originally published on Applied Materials’ corporate responsibility blog.
As a company built on innovation, we understand the power of focusing creative minds on solving important problems … for our customers and for our communities. We recognize the tremendous benefit of bringing diverse people together to address issues, share experiences and design solutions. Read the rest of this entry »
Alex Parkinson, researcher for The Conference Board, urges in his blog post that arts and culture leaders need to become adept at demonstrating the social impact of the arts in terms that speak to corporate leaders. I agree! But, it’s not just about arts leaders building evaluation capacity. Social responsibility and impact starts with both cultural and corporate leaders defining clear intention and acknowledging that some shifts may be needed in defining the metrics that matter when assessing arts and corporate social responsibility investments. Read the rest of this entry »
In our 21st century digital world, the power of storytelling has become platinum currency that many corporations use to address intractable and large scale issues. Recent findings from the Animating Democracy program of Americans for the Arts suggest that arts organizations now have a chance to reinvent corporate partnerships and engage new audiences by fully engaging corporate marketing, communication, and evaluation resources.
Corporate layoffs, limited cash resources, and employees eager to volunteer are changing the models and metrics for support of the arts. This quest for greater social impact is leading to innovative, nontraditional arts programming everywhere. At the same time, the complex, cross-cutting challenges facing local and global communities are generating more interaction between disparate cultural, economic, and social groups. Read the rest of this entry »
It is a beautiful and often overlooked truth that most corporations—like arts organizations —are the result of someone’s imagination and desire to serve people. An individual or a few people dedicate their efforts to inventing something that can make people’s lives easier or create opportunities.
A man concocts a syrup recipe that can alleviate headaches and stomach pains. This becomes Coca-Cola. The enterprising Wright brothers dream of a flying machine that can take people anywhere. Their innovation leads to the creation of the airline industry. An immigrant from Italy uses his own money to provide loans to Italians in San Francisco turned down by other banks. This becomes the Bank of America. Read the rest of this entry »
The following two blogs by Helen Goulden and Caroline Mason were originally published on the Arts Impact Fund blog, and are great posts for this week’s Blog Salon on Corporate Social Responsibility.
Advancing the Art of Finance Helen Goulden, Executive Director, Innovation Lab, Nesta
The Arts Impact Fund is a new £7million fund that brings together public, private, and charitable investment to support arts organizations in England and the first of its kind to focus on their social, artistic, and financial return. The fund was created and funded by Bank of America Merrill Lynch, Esmée Fairbairn Foundation and Nesta, supported by Arts Council England and with additional funding from Calouste Gulbenkian Foundation. It was convened with the help of the Cabinet Office, to demonstrate the significant social value created by arts organizations and support their work through loan finance. Read the rest of this entry »
What’s a Weeksville?
Established in 1838, Weeksville became the second largest known independent African American community in pre-Civil War America, the only such community whose residents were distinctive for their urban rather than rural occupations, and the only one that merged into a neighborhood of a major American city after the Civil War. Therefore, Weeksville Heritage Center (WHC) is a nationally significant American historic site and a documented example of an intentional, independent African American community.
Amazed and Appalled!
I first arrived to WHC as a candidate for the position of Executive Director on a wet and chilly February evening in 2014. I had no idea that my ancestral memory was about to be awakened by a soul-stirring experience with the Historic Hunterfly Road Houses, the sole remaining domestic structures of the historic Weeksville Community. Read the rest of this entry »
Some people are numbers focused, others are creatives. In business, it is often the metrics and the people behind them that pull the strings and the corporate philanthropy field is following the same path. Social impact is increasingly measured by data and used by corporate funders as the basis for grant-making decisions. This trend has not necessarily been kind to the arts sector, as corporate giving budgets have reshuffled to target organizations and initiatives that can quantify their impact.
Giving in Numbers: 2014 Edition found that total giving to Culture and Arts fell by 20 percent between 2010 and 2013, a result that suggests organizations operating in the field have struggled to successfully capture the metrics and information necessary to demonstrate impact in a way companies can understand. Americans for the Arts is responding to the decline, however, with a shrewd assessment of the place arts has in the corporate philanthropy world—it’s not just about impact that can be supported by data, but about using creativity to broaden conversations and generate support. Read the rest of this entry »
When most people think about a convention center, they think of a stark gray, open exhibit hall. It’s true, most meetings facilities are purposefully very empty and plain, allowing for greater flexibility and customization depending on the meeting planners needs and set up. But when we built the BCEC 15 years ago, I wanted to change the perception of the “ugly convention center,” not just by enlisting a world class architect in Raphael Vinoly to create a distinctive exterior design, but by also rethinking the interior, creating warm, bright, and vibrant spaces that were more inviting than the convention center’s meeting planners were used to visiting in the past.
I also knew that I wanted the kind of environment that allowed our guests walking through the doors of our meetings facilities to feel not like they were in any-center-USA, but to know that they were meeting in Massachusetts. I’ve found that the best way to do this, in addition to hiring a diverse staff that is reflective of the communities surrounding our centers, is to tap into the local and prolific arts scene in Massachusetts. Read the rest of this entry »
Our story culminates with beautiful music, healing, and hope. However, the origins of the Angel Band Project sprung from the depths of horror the night my best friend, Teresa Butz, was raped and murdered.
Just after midnight, on July 18, 2009, Teresa and her partner, Jennifer Hopper, were attacked at knifepoint in their Seattle home. The intensity of grief and pain was magnified by the fact that it happened suddenly and with such violence. Her death left an indescribable void for all who loved her–a virtual canyon of despair that summoned more than just making a casserole and telling her family we were sorry. But what act of kindness or charity was worthy of honoring her memory? Read the rest of this entry »
At Neuberger Berman, passion for art is embedded in our culture and we believe that art is a critical and inspiring form of expression. Roy Neuberger, our co-founder, had a deep appreciation for both art and artists. Supporting living artists brought him great joy.
Roy also felt that art should be accessible to everyone and donated much of his personal collection, creating the Neuberger Museum of Art. The Museum is located on the Purchase College campus and is open to all. We continue to honor Roy’s legacy by maintaining a vibrant collection of contemporary art in our offices, much of which was purchased under his direction, adding character, color, and richness to our workplace. Read the rest of this entry »
If your city had a new construction company move to town, this would be good news – more jobs, more economic activity, and more tax revenues to be collected. How about if your city received funding from your state to widen a road? Again, you would probably welcome this news with open arms. Now, think about a new arts organization moving to town. Would you look at this group with the same economic lens that you used to look at the construction or transportation business?
If your answer was no, here’s why you should!
The U.S. Bureau of Economic Analysis (BEA) with the National Endowment for the Arts recently released their second annual report measuring the arts and culture sector’s contributions to U.S. gross domestic product (GDP). This year’s report found that the arts and culture sector represented 4.32 percent of the GDP – a higher percentage than tourism (2.6 percent), transportation (2.7 percent) and construction (3.4 percent) – at $698.7 billion! Read the rest of this entry »
“Our Board often asks why we aren’t giving more money to education, but they never ask why we aren’t giving more to the arts.”
Arts organizations face a unique challenge, as they are often viewed as an extra or nice initiative to fund, though not essential in comparison to other charitable causes. Corporate Social Responsibility & the Arts demonstrates that this is not actually the case. Arts organizations can—and do— help businesses address key goals. Read the rest of this entry »