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THE FUTURE OF COMMUNITY ARTS EDUCATION

The National Guild of Community Schools of the Arts envisions a nation where all Americans have access to arts learning opportunities throughout their life-spans. Their Green Paper outlines this vision as well as opportunities for sustainability and growth, collaboration, and community planning.

Green Paper Authoring Organizations: National Guild of Community Schools of the Arts

THE FUTURE OF COMMUNITY ARTS EDUCATION AMBASSADOR

José Ochoa
Executive & Artistic Director
The Chicago High School for the Arts
Chicago, IL

José Ochoa is the founding Executive Director of The Chicago High School for the Arts which opened fall 2009. Most recently he was the Superintendent of Cultural Arts for the Metro Parks and Recreation Department in Nashville, Tennessee, where he supervised the dance, music, theatre, and visual arts departments, two museums and the special events department. 

As an educator, he has served as a private teacher and instructor in music, dance, and theatre and also taught in traditional school settings both in academic and arts areas.  As a classroom teacher, he taught English at a charter school for at-risk high school students in Amarillo, Texas, English at a bilingual private school in Honduras, and music for underserved elementary and middle school students at a charter school, Sallie B. Howard School for the Arts and Education, in Eastern North Carolina.

Besides his work in arts administration and in education, Ochoa has had a diverse career in the performing arts. As a musician he has performed solo flute recitals including the Festival Internacional de Arte e Cultura de Suchitoto in Central America. In dance, he danced with several regional ballet companies and he was the choreographer for the outdoor drama Texas Legacies, the official state play of Texas for three seasons.  Ochoa also produced an arts festival Steinbeck on Stage…of words and dance which premiered his ballet La Perla based on the novel by John Steinbeck at West Texas A&M University.  He has directed/choreographed for Oklahoma Shakespearean Festival, Ballet Nacional, WTAMU, Burning Coal Theatre Company, Lone Star Ballet, Street Theatre Company, several community theatres throughout the Southeast and for several productions in Central America. 

Ochoa is a graduate of the North Carolina School for the Arts in music performance and has a master’s degree in Interdisciplinary Studies--Dance, Music, Theatre, from West Texas A&M University. He is a board of trustee for the National Guild of Community Schools of the Arts and an honorary trustee for the University of North Carolina School of the Arts.

 

Original THE FUTURE OF COMMUNITY ARTS EDUCATION Green Paper:

THE FUTURE OF COMMUNITY ARTS EDUCATION (pdf, 74KB)

THE FUTURE OF COMMUNITY ARTS EDUCATION

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Community Arts Education is such a diverse field. As I stated in my last blog you can find some form of community arts provider just about anywhere. Some organizations have been around hundreds of years and produce conservatory level musicians. Some organizations have only been around a few years and serve inner city children through visual arts programs. Although there appears to be differing views on what is community arts education I think we can find more commonalities between community arts providers.

The Community Arts Education Green Paper states: “Increasing lifelong learning opportunities in the arts requires that we animate and foster Americans’ desire to get involved with activities that provide them with a sense of personal fulfillment and community connection.”

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Thank you for visiting this blog. Over the next few months I look forward to an exciting dialogue from many diverse voices about the future of community arts education.  I hope you will subscribe to the feed so you can keep up with this important discussion.

My earliest memory of a community arts experience was when my parents enrolled my sister and me in a community theatre program in League City, Texas when we were in elementary school.  I brought home a flyer from school from the local playhouse and I thought the black and white drawing of a mime and stage lights looked very exciting. We went to theatre class for several weeks and then we ‘put on a play.’  The unforgettable smell of wet paint and cut lumber as the set was being constructed, the hours of memorizing lines, the heat of the stage lights, and the excitement of our first opening night are all things that I’ve never forgotten. Although it was years before I would return to the world of theatre, I was hooked.

The Nationals Guild’s Green Paper beautifully describes the diverse field of community arts education with “more than 5,000 nonprofit, arts organizations and government agencies are providing professionally-led, direct instruction in the arts to people of all ages, backgrounds and abilities in community settings “ Whether it be community music schools in Chicago, Illinois or Whitefish, Montana, civic ballet organizations like the Greenville Civic Ballet in North Carolina, visual arts centers such as Inner-City Arts in the heart of Skid Row in Los Angeles, or a playhouse in a small Texas town, community arts providers throughout the nation are providing opportunities in the arts that are “essential to individual fulfillment and community life.” Read the rest of this entry »

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Welcome to the Green Paper discussion on Community Arts Education. We encourage you to read the full Green Paper available in the tab above and make general comments at this time. Be sure to keep your comments brief—José Ochoa, the Ambassador for this Green Paper will soon begin deeper, threaded conversations around specific paragraphs, sections or themes that appear in this Green Paper. Follow this conversation thoroughly by adding the Community Arts Education feed to your RSS reader!

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