Learning and participation in music, dance, theater, and the visual arts are vital to the development of our children and our communities. Through advocacy, research, partnerships, and professional development, Americans for the Arts strives to provide and secure more resources and support for arts education. Visit AmericansForTheArts.org for more information on the Arts Education Network.
Over the course of the past several years, big cities such as Chicago, Los Angeles and Seattle have been advancing ambitious plans to expand access to arts education and creative learning for public school students. Here in New York City – home of the nation’s largest school district – with a new mayor and schools chancellor, and a growing chorus of parents calling for the inclusion of arts in the school day, there is momentum gathering that could lead to a much-overdue expansion of arts and music in city schools.
This December, at the close of his 12 years in office, New York City’s former Mayor Michael Bloomberg signed into law a City Council bill that would require the Department of Education to provide annual data on arts instruction that advocates believe will help identify gaps in the delivery of arts education and drive improvements in what is being offered at schools across the city.
While strides were made in expanding access to arts instruction at many schools across the city over the past decade, large gaps persist in the provision of music, dance, theater and visual arts in the over 1,800 New York City public schools.
That is why on the heels of the successful effort to pass the arts reporting legislation, advocates and leaders from a diverse cross section of New York, released a statement calling on the city to ensure that every child, in every part of the city, receives arts instruction as part of their K-12 education.
The statement – entitled “Every Child in Every School: A Vision for Arts and Creativity in New York City Public Schools” –notes that New York City – with its rich and diverse array of arts and cultural experiences and organizations – is uniquely positioned to be the leader in arts and creative education. Read the rest of this entry »
As a statewide funder of arts education, the trend in my organization’s support of arts education over the last decade has been to push the field towards deeper levels of arts integration. Although the beginning of the erosion of arts specialists in schools predates my career in arts administration, I strongly suspect that this emphasis on integrating the arts with other (perhaps more stable) subject areas was a reactive measure rather than a proactive one. In other words, instead of honoring arts integration as an effective teaching method for addressing multiple learning styles, it was seen as a “quick fix” for the loss of critically important arts specialists.
One of the consequences of this investment has been a decrease in attention to out-of-school work. This may be due to a perceived lack of quality (not aligned with state standards, not assessed, not taught by certified educators, etc.), but is also probably a result of decreased availability of grant dollars. As funders turned their attention to in-school work, organizations dependent on that funding were forced to divert their resources towards in-school programs. While there are still many high-quality out-of-school programs in operation, as evidenced by the National Arts and Humanities Youth Program Awards, they seem to lack broad recognition as a valuable component of arts education.
I’ve recently watched the evolution of several new grant programs in Oregon, each with their own attempt to link in- and out-of-school earning. The Oregon Community Foundation’s new “Studio to School” program endeavors to create a lasting arts education legacy within a community over a five year investment. While the final funding decisions have not yet been announced, I noticed while serving as a reviewer in the initial phase that the most problematic section of the application asked applicants to “link arts education during the school day to out of school arts learning.” Read the rest of this entry »
Art education in schools exists, to the extent that it exists at all, within the contexts of wider school cultures. School cultures are currently in the thrall of high stakes—undifferentiated, system-wide models of measurement and accountability. How does art education function in such an environment? Not so well.
Because models for assessing arts learning are underdeveloped, the arts come to represent for many students a safe haven from relentless testing. At the same time, the arts are broadly discounted by policy makers as not being serious enough disciplines worthy of time, attention, or funding, because they are untested.
How might we find our way through the labyrinth of this double-bind? One approach is to look at the metaphors that undergird approaches to assessment at the policy level.
Bush Era “No Child Left Behind”: Known colloquially as “NCLB”, and sometimes as “Nickleby” (I’m thinking of the cruel Uncle Ralph Nickleby, not the sweet and brave hero in Dickens’ novel Nicholas Nickleby). NCLB in a nutshell is schools and individual teachers that do not demonstrate Annual Yearly Progress (AYP) on standardized test scores risk losing their funding or their jobs. The problem that I have always had with NCLB is implicit in the name itself. The policy is not named something like EPIC (Enhancing the Powers in Children). The policy is named “No Child Left Behind” – conjuring up an image of abandoned loser children and of winner children schlepped along to the goalposts of achievement. This is not a metaphor representing child agency, child capacity, child initiative, or child power. Learning in this model is not something that children do, but rather is something done to them. The core metaphor here is a “potato race”–a game in which competitors (teachers) carry inert potatoes (lumpy and lumpen children) precariously balanced on spoons as they rush back and forth across a finish line, dropping some potatoes and depositing others in a heap to win.
Obama Era “Race to the Top”, or R2T: A contest between states and local districts for big bucks, with points given for evidence of such things as intervening in low achieving schools, demonstrating significant progress in raising achievement and in closing gaps, developing charter schools, privatization of public services, and computerization. The metaphor for R2T is as the name says, a race, but while NCLB was a horizontal race, Race to the Top is a vertical race; a climbing wall. Again, we have a metaphor built around winners and losers, but this time among states and districts rather than schools and teachers. A level up in the policy food supply chain and a quantum leap away from children, parents, and teachers.
Rhizomes: There is another metaphor, developed by Félix Guattari and Gilles Deleuze, which is emerging as a useful tool for rethinking social systems like school districts. This is the “rhizome” – networks of biological roots that expand out, grow up, and draw sustenance from and in many directions. This metaphor opposes linear, dualist thinking (dubbed “arborescent” by Guattari and Deleuze based on the image of a tree with a siloed root system and one trunk.) Read the rest of this entry »
It is widely accepted across the country that the arts are a significant part of a quality education. As part of the core, they provide America’s students with essential skills and knowledge needed to be productive college and career ready citizens.
In May 2013, I attended a summit with leaders from 12 other arts and education advocacy organizations to define what quality arts education looks like at the local level, encourage partnerships, and call on organizations and individuals to actively support and promote the following points of intersection in our field. We came up with some basic agreements:
- Development of policies and resources for arts education.
- Access to arts education for all students.
- Collaboration between school-based arts educators, other subject area teachers, and community-based artists and arts educators.
- Long-term advocacy partnership between all providers of arts education.
In a time when education reform is at the helm of change and current practices are being revised, we felt that it was important to articulate the purpose and value of arts education in the balanced curriculum of all students. We assert its place as a core academic subject area and detail how sequential arts learning can be supported by rigorous national standards and assessments. Read the rest of this entry »
Each day we witness the power of the arts to transform lives – whether it’s a child learning to draw, a teenager taking a class on glassblowing or an adult returning to a favorite hobby like photography.
The arts heal, the arts transform, the arts engage, the arts serve as an economic catalyst. And yet the arts, especially arts education, are consistently underfunded. As CEO of one of the 50 largest arts council’s in the United States, I spend the majority of my time raising money for and raising awareness of the importance of the arts, and arts education in particular. And that’s the job of a CEO. I’m not complaining.
What frustrates all of us in this line of work is that no matter how much we share research and data that demonstrates the value of arts education to keep kids, especially those at-risk and underserved, in school, performing better on standardized tests, demonstrating fewer aberrant behaviors, doing more volunteering in the community, reading for pleasure, and attending college, there are those who dismiss all this as mere conjecture – and therefore not in real need of funding. I’m focusing here on public funding for the arts. Read the rest of this entry »
It’s the start of a New Year and technology will continue to be a hot arts education topic in 2014. Since launching my own ArtsEdTechNYC venture last spring, I’ve immersed myself in many conversations exploring ways in which technology – I admit, a super generalized term – is being utilized within the scope of arts education. In meaningful, effective ways including K-12, higher education, distance learning and special needs populations, I remain continuously inspired by so many people doing amazing work.
Here are a few things I’ve discovered where technology will continue to change the way we teach, educate and inform our arts education field this year and beyond.
The Wallace Foundation released two critical pieces of research late last year. As access to technology for learning, communication and art making grow among our youth, self-directed, connected, and digital learning opportunities are expanding as well.
These reports are a must-read:
- New Opportunities for Interest-Driven Arts Learning in a Digital Age by Dr. Kylie Peppler at Indiana University
- Something to Say: Success Principles for Afterschool Arts Programs from Urban Youth and Other Experts by Denise Montgomery, Peter Rogovin and Nero Persaud
ONLINE LEARNING & PROFESSIONAL DEVELOPMENT
The EdTech movement is the driving force behind development of so many new online learning platforms, apps, and software being created at lighting speed. Here are a few arts, creativity, and innovation sites that I think are great:
- Connected Classrooms is a new venture recently launched by Google. The concept centers on how “Educational Virtual Classrooms” use the video platform Google Hangout to connect with others all over the globe. Adobe Education Exchange, Microsoft’s Bing for Education – Class Think and Apple and Education among others, are also great sites.
- Susan Riley’s STEM to STEAM focused Education Closet provides a wonderful platform for art integration ideas and professional development, while also offering a unique annual virtual conference. The STEM to STEAM conversation will continue to be an extensive one. Read the rest of this entry »
Back in May, I shared my reservations about efforts to “turn STEM to STEAM.” I didn’t question “whether the arts and sciences are connected. What was missing for me was an articulation of how they are connected. Sure, there are elements of geometry in visual art, and yes, you need to understand basic math in order to read music or follow rhythms in dance. But arranging letters on a page is one thing; bringing disciplines together in a thoughtful and authentic way is something entirely different.”
Since then, I’ve had the privilege of spending several days with other members of the Arts and STEM Collaborative for 21st Century Learning, a cohort of arts and science education leaders from across Los Angeles, Orange, and San Diego Counties. We’ve met three times since the summer, and despite our thoughtful conversations, I had a nagging question: is STEM-to-STEAM simply about the integration of the arts and STEM subjects? If so, can we take an existing definition of arts integration (I’m a fan of the one developed by The Kennedy Center), declare the S, T, E, and/or M the “other subject area,” and call it a day? If not, why not? How is STEAM different? Read the rest of this entry »
What is the purpose of theatre education at the K-12 level? What underlying objectives are shared by diverse programs in diverse communities? How do we reconcile a theatre’s objectives in engaging future audiences with the educational objectives of schools and parents? The practical reality is that a climate of education budget cuts, standardized testing and stiff competition for budget dollars makes providing young people, especially in underserved communities, with meaningful arts education opportunities a challenging question.
This surfaced recently when I was sitting in a donor’s office laying out our plans for Impact Creativity, an ambitious undertaking to raise $5 million over three years to bridge the budget gaps of our 19 member theaters and their education programs. American creativity is at stake, and so is our sense of equal opportunity — 40 percent of underserved youth risk losing their access to arts education.
“But what are you setting out to do, actually?” the donor asked. “Raise $5 million,” I answered. She paused. “And then…?”
Ah ha. We needed to connect the dots, in other words define theater education and its impact in more tangible ways, so that we can have a national conversation about something that currently differs from state to state, school to school, and theatre to theatre.
The network of 19 National Corporate Theatre Fund (NCTF) member theaters then set out to define clear objectives for the national Impact Creativity program while communicating how the individual theatre education programs address the larger questions facing our education systems: equity, resource scarcity and increasing demand for a high-functioning workforce. Read the rest of this entry »
Perhaps the holidays have made me somewhat sentimental this year. As I pondered what to write for this blog post, I kept returning to how thankful I am to have had a career in the arts. I have been able to make a living doing what I love to do, share that passion with my students, and encourage them to pursue a career that will provide artistic and intellectual stimulation as well as a possible lifetime of inspiration. Of course, my professional achievements would never have been possible without influential role models and access to the arts from a young age.
Therefore, I try to pay it forward by acknowledging my mentors and the opportunities I was afforded. Giving back by participation and service in initiatives and projects that help sustain the quality of the arts and arts education for future generations is my duty. This week, I offer a list of how to give thanks for how the arts have enriched our lives. For most of us reading this blog, this practice would be commonplace. Therefore, consider it one individual’s humble attempt to spread awareness of the many ways we can support the arts and the beginning of a larger conversation that illustrates the priceless benefits that accompany such efforts. I encourage you to add additional ideas to this preliminary list and share them with your community. Perhaps some ideas of different ways to become involved in the arts will help create new spectators, volunteers, and donors. Read the rest of this entry »
When University of Utah College of Fine Arts students asked for tools and resources to prepare them for the transition into the workforce, Dr. Liz Leckie, Assistant Dean for Undergraduate Affairs, listened.
The students’ request resonated with Dr. Leckie given that it reflected what the collective voice of more than 100,000 arts graduates from the Strategic National Arts Alumni Project (SNAAP) was saying, which is that in addition to mastering their craft, art students want more time spent on career and post-graduate advising.
And, earlier this month, the students got exactly that. By hiring and empowering student staffers, Dr. Leckie created a team that envisioned and executed the highly-anticipated first annual ArtsForce conference, a two-day, student-driven event including an array of workshops, panels, networking opportunities and a keynote presentation by the esteemed associate director of Vanderbilt University’s The Curb Center for Art, Enterprise and Public Policy, Steven J. Tepper, PhD. Read the rest of this entry »
Even those of us who have chosen to spend our lives in the arts rather than mathematics and the sciences have probably heard the preeminent example used to describe Chaos Theory. There is no shortage of cultural references to the so-called “Butterfly Effect,” including Jurassic Park’s claim that “a butterfly can flap its wings in Peking and in Central Park you get rain instead of sunshine.”
So what does that mean for those of us who are working in the arts education field? Too often our efforts feel like lots of wing-flapping and not enough knowing where to look to measure rainfall. We flap our wings and maybe one student will become a professional artist. We flap our wings and perhaps a performance will inspire a student. We flap our wings harder and harder and yet the next Mozart will not come out of this year’s class of students. Unfortunately, some who control the purse-strings see funding of arts education in this way. Few people are eager to invest their resources in what they see as chaotic or unpredictable.
A funder, whether it is a private foundation, philanthropically-minded community members, state legislators, or school board members, expect their investment to spur a lot of wing-flapping, but they also want to know exactly when and where they can expect to see results.
Americans for the Arts is excited to be partnering again with VANS in 2014 for the Vans Custom Culture competition, a national shoe customization contest where high schools from all over the United States compete for a chance to win money for their art programs.
Since 2010, youth-targeted brand Vans has been encouraging high school students across the United States to embrace their creativity. The Vans Custom Culture competition offers students a fresh perspective on art and offers an outlet for self expression through art, fashion, and design through this unique contest and multimedia exhibit. During this contest, high school students from participating schools design shoes that fit within a particular theme representing Vans lifestyle. The $50,000 award is granted to the winning school to support its art program.
The 2013 Vans Customs Culture winner of the $50,000 grand prize was Lakeridge High School of Lake Oswego, Oregon. This winning school was chosen on June 11, 2013 at the Whitney Museum of American Art in New York City. The top 5 finalist school’s shoe designs were on display at the museum for the panel of judges, which included actress Emma Roberts, designer Timo Weiland, reality star-turned-designer Whitney Port, artist Christian Jacobs and skateboarder Steve Caballero. In addition to the grand prize, $20,000 was donated by Vans and Americans for the Arts to ten more schools across country to advance their art education programs. Read the rest of this entry »
Arts Education, by the very nature of our work, is a hybrid profession. As such, I’m sure many an arts education administrator or fundraiser can share tales of woe about having to explain to board members or funders how our work is both artistic and educational – a task which only a few people, in my opinion, have managed to accomplish in our field. But where some people see confusion as a result of not being able to label, others see collaboration… the overlap of a Venn diagram. What fascinates me about our work is that we are the combination of two ecosystems and a place where community takes on a whole new meaning.
While all that sounds lovely, there are (too) few concrete places where one can achieve a professional sense of community – a space where folks can come together from different cities, organizations and professions to share, discuss and dream about what arts education can achieve. For me, one of these places is American for the Arts – specifically, the Arts Education Network.
In 2011, a year in which many of us and our organizations were dealing with the ripple effects of a massive economic meltdown, I very quickly became overwhelmed by the sense of isolation and surprised by how most in our community quickly reverted into a survival mode that prevented us from seeing beyond the walls of our institutions. We became so focused on making sure our organizations could make it through the crisis, we inadvertently turned our back on the solution: us. I, along with everyone else, was starving for perspective. Read the rest of this entry »
I remember when I applied to the Tisch School of the Arts at New York University (NYU). My high school experience was not ideal, and I had always dreamed of pursuing something in the arts. Sophmore year of high school I tried out for the fall drama production, and there was no going back from there. I worked hard to keep my grades up and fill my resume with impressive extracurriculars; I applied to nine different schools, really only wanting to attend NYU. The day I was accepted was probably the most memorable day of my life. It signified a turning point: I was about to embark on the journey of my dreams.
Looking back, I don’t doubt that it was the most worthwhile choice I’ve ever made (which is lucky, because I, as most high schoolers are, was pressured to make that decision when I was only seventeen years old). I learned so much about myself as a performer and a human being, and became an instrument through which characters could live, breathe, and have their stories told. It was the opportunity of a lifetime, and an experience which I will never forget. That being said, during my time at NYU, I wasn’t completely honest with myself about the realities that lay ahead of me once I graduated. It was hard to keep questions about the future clear in my head because things were so uncertain post-graduation. Still I wondered, was pursuing a degree in the arts worth it? Read the rest of this entry »
The school year is still new, so it’s a great time to look ahead and plan ahead. Remember that your academic and performing or visual arts choices in high school should serve your longer-term goals as you prepare for college and beyond. Keep in mind that no matter what decisions you’ve made, or are about to make, you may want to refine your selections as you develop and grow. Stay focused, and at the same time, stay open to exploring new areas at all times!
Senior Arts Students — Get guidance, plan auditions, prep portfolios. Stay on track with admissions requirements by working with your guidance counselor. Let your counselor know where you want transcripts, score reports, and letters sent, and provide any necessary forms much earlier than the actual deadlines so your counselor will have time to send in the forms. Now you can finalize your audition material or portfolio pieces to best reflect your skills.
Senior Parents — Decide on early decision. Review options for early decision and early action to determine if this is the path you and your student want to pursue. Help your child complete the college list by adding application and financial aid due dates. Take a road trip. Identify the top colleges on the final list, and visit those schools. Schedule any interviews that can be completed on campus or with college alumni. Also remember to attend college fairs, and gather as much information as possible.
Junior Arts Students — Build your list of potential colleges. Start by identifying the criteria that is most important to you about college such as academic majors, size, location, cost, and/or special programs. Weigh each of the factors according to their importance to you. Then list the schools that fit your criteria, and develop a preliminary ranking of those schools. You should attend college fairs and college nights and speak with college representatives who visit your high school. Search your top college options online, and based on your findings, either expand or narrow your list. Also, if you’re in the performing arts, it’s a good time to assemble your resume with a headshot. See how the college consultants at ArtsBridge approach arts specialization.
Junior Parents — Stay on schedule. If your child is taking the PSAT, make sure the date is marked on your student’s calendar as well as yours. Remind him/her to prepare for the test and to try some practice questions. At the same time, you can help keep this from being a high-pressure situation by planning for a fun treat after the test. Step on campus. Schedule a day trip to visit nearby colleges even if it’s not where your child will apply. The idea is to explore different types of schools. Start a discussion by asking about which characteristics your student either likes or dislikes about those schools.
Sophomore Arts Students — Practice with the PSAT. Taking the PSAT as a sophomore will help prepare you for the real thing next year. It also allows you to release your name to colleges so you can start receiving information from them. Also review your courses with your guidance counselor to make sure you’re enrolled in the classes you need to prepare you for college.
Sophomore Parents — Take your kid to the fair. It’s a good time to start checking out college fairs and possibly meeting with school representatives that come to your area. Encourage your child to get a feel for the college search by attending one fair, and if ready, a session or two with representatives at school. It may also be a good time to start a preliminary list of potential colleges.
Freshman Arts Students — Plan for the next 4 years. Prepare to lay the foundation for your high school career. This is the time to establish your academic and extracurricular credentials and begin to explore options for further education and a career. Your guidance counselor is there to help you make sense of your college and career options. As soon as you can, set up a meeting to talk about your plans for high school and the future. Your counselor can help to make sure you’re enrolled in the appropriate college-prep classes.
Freshman Parents — Plant the seeds now. Encourage your child to start exploring career goals so that courses can be chosen to complement those goals and serve as good prerequisites for college. Sit down with your teen and the course listings to agree on an academic plan for the classes your child should take in high school. Lay out preliminary plans for extracurricular activities as well, allowing flexibility for new interests to develop. Naturally, you’ll want to consult with the school guidance counselor to help with all of the planning.
Students of the arts get a head start on college consulting. Learn all about ArtsBridge college counseling and see how former college deans of admissions are able to offer specialized guidance to bring out the best in every high school student of the arts.
The monthly planning guide for visual & performing arts students and can be viewed at http://artsbridge.com/artblog/