Over the past few months, questions about the creative economy have lit up the phone lines at Americans for the Arts. Members are interested in learning of examples of communities where efforts are thriving; others want to build successful initiatives to engage their local community in the support and promotion of the creative economy; and some members are just wondering what the “creative economy” is all about.
The discussion on the the topic has taken on a high profile around the country (and around the globe) over the past decade. In 2002, Richard Florida’s The Rise of the Creative Class highlighted the need for creativity as an asset in the economy. Communities across the country face challenges in attracting and retaining highly skilled workers, developing creative industries, as well as expanding for creative products and services.
A creative economy is dependent on a creative workforce and the presence of creative industries—for-profit and nonprofit businesses involved in the creation or distribution of the arts. They are businesses that we participate in for enjoyment (seeing a movie, attending a concert, or reading a novel); engage in for business (architecture, design, musical instrument manufacturing); and invest in to enrich community livability (museums, public art, performing arts centers). Creative industries contribute to economic growth by attracting a dynamic workforce, serving as a destination for cultural tourism, and creating exportable cultural products. Read the rest of this entry »
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I’m crawling out from a mountain of artists-in-residence applications to post my very first Green Paper blog entry and further introduce myself and HUB-BUB. If you’ve read my bio, you know that I’ve spent the last 3 blissful years running the AiR Program at HUB-BUB. Blissful because each year I really get to know 4 of the most interesting and talented emerging artists/writers in the country who are in residence at HUB-BUB. During their time here, it’s my job to accommodate their needs, get them connected in our community, learn from them, be their friend, and help them make the most of this awesome experience. Blissful because my colleagues in the HUB-BUB office are not only the most passionate and talented people I’ve ever known, but they are good friends who are open to ideas and make working 50-60 hour work weeks fun. Our volunteers and board members are a huge part of the happy HUB-BUB family that makes my world go round. Blissful because Spartanburg is a town that encourages citizen involvement – it is possible to have a tremendous impact here. And blissful because the field of artists-in-residence programs is full of good, capable, passionate people who make a difference everyday in the lives of the artists who they work with and the communities that they work in. The residency field is fortunate to have the Alliance of Artists Communities and their dedicated staff and board who help connect us, educate us, and keep us happy. Is what I am trying to say is – life is good.
In this ARTcast, Nina Ozlu Tunceli, Chief Counsel of Government and Public Affairs at Americans for the Arts, discusses President Obama’s proposed 2011 budget, the effects it could have on arts funding, and how arts advocates can help fight for increased funding for the arts. For more information on the president’s budget, click
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